Over six years and throughout 4 continents, the London-based documentary photographer Zed Nelson has examined how people have immersed themselves in more and more simulated environments to masks their harmful divorce from the pure world. That includes every little thing from theme parks and zoos to nationwide parks and African safaris, his photographs reveal not solely a determined longing for a connection to a world now we have turned our again on but additionally a worldwide phenomenon of denial and collective self-delusion. “Individuals might have flocked to see them to see the unfamiliar and the unique,” he says. “Now they might go to see what’s now not on the market, what’s endangered, what now we have misplaced.”


In his new picture guide, The Anthropocene Phantasm, Nelson writes, “In a tiny fraction of our Earth’s historical past, we people have altered our world past something it has skilled in tens of hundreds of thousands of years.” His photographs doc our more and more futile makes an attempt to create a simulacrum of an Edenic pure world that none of us have really skilled. The variety of wild animals on Earth has halved prior to now 40 years, and that decline exhibits no indicators of slowing down. We’re forcing animals and crops to extinction by eradicating their habitats. Future geologists will probably discover proof within the rock strata of an unprecedented human influence on our planet—big concentrations of plastics, fallout from the burning of fossil fuels, and huge deposits of concrete used to construct our cities.

But deep inside us, the will for contact with nature stays. So now we have turn out to be masters of what Nelson calls “a stage-managed, synthetic ‘expertise’ of nature, a reassuring spectacle.”


“Charles Darwin lowered people to simply one other species—a twig on the grand tree of life,” Nelson writes in his guide’s afterword. “However now, the paradigm has shifted: humankind is now not simply one other species. We’re the primary to knowingly reshape the dwelling earth’s biology and chemistry. We now have turn out to be the masters of our planet and integral to the future of life on Earth. Surrounding ourselves with simulated recreations of nature paradoxically constitutes an unwitting monument to the very factor that now we have misplaced.”
As Jon Mooallem noticed in Wild Ones, his cultural historical past of untamed animals and our relationship to them, “We’re all over the place within the wilderness with white gloves on, directing site visitors.”